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prev: Vespasiano da Bisticci Vespasiano da Bisticci Music of Vespers next: Music of Vespers

Vespers

I. Vespers in the sixth century; II. The origin of Vespers: Period anterior to the sixth century; III. The Office of Vespers in the Middle Ages: Variations; IV. The latest changes; V. Symbolism: the Hymns; VI. Importance.

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Vespers. —This subject will be treated under the following headings: I. Vespers in the sixth century; II. The origin of Vespers: Period anterior to the sixth century; III. The Office of Vespers in the Middle Ages: Variations; IV. The latest changes; V. Sym-bolism: the Hymns; VI. Importance.

I. Vespers in the Sixth Century.—In the sixth century the Office of Vespers in the Latin Church was almost the same as it has been throughout the Middle Ages and up to the present day. In a document of unquestionable authority of that period the Office is described as follows: The evening hour, or vespertina synaxis, is composed of four psalms, a capitulum, a response, a hymn, a versicle, a canticle from the Gospel, litany (Kyrie eleison, Christe eleison) Pater with the ordinary finale, oratio, or prayer, and dismissal (Regula Sancti Benedicti, xvii). The psalms recited are taken from the series of psalms from Pss. cix to cxlvii (with the exception of the groups cxvii to cxxvii and cxxxiii to cxlii); Pss. cxxxviii, cxliii, cxliv are each divided into two portions, whilst the Pss. cxv and cxvi are united to form one. This disposition is almost the same as that of the "Ordo Romanus", except that the number of psalms recited is five instead of four. They are taken, however, from the series cix to cxlvii. Here, too, we find the capitulum, versicle, and canticle of the "Magnificat". The hymn is a more recent introduction in the Roman Vespers; the finale (litanies, Pater, versicles, prayers) seems all to have existed from this epoch as in the Benedictine cursus. Like the other hours, therefore, Vespers is divided into two parts; the psalmody, or singing of the psalms, forming the first part, and the capitulum and formulae the second. Vesper time varied according to the season between the tenth hour (4 p.m.) and the twelfth (6 p.m.). As a matter of fact it was no longer the evening hour, but the sunset hour, so that it was celebrated before the day had departed and consequently before there was any necessity for artificial light (Regula S. Benedicti, xli). This is a point to be noted, as it was an innovation. Before this epoch this evening synaxis was celebrated with all the torches alight. The reason of this is that St. Benedict introduced in the cursus, another hour that of Compline—which was prescribed to be celebrated in the evening, and which might be considered as a kind of doubling of the Office of Lucernarium.

II. Origin of Vespers: Period anterior to the Sixth Century.—The Rule of St. Benedict was written about 530-43 and represents the Office of Vespers drawn up in the manner shown above. Much earlier than this we find an evening Office corresponding to both that of Vespers and that of Compline. Its name varies. In St. Benedict we find the name vespera which has prevailed, whence the French word veepres and the English vespers. Cassian calls it Vespertina synaxis, or Vespertina solemnitas (P.L., XLIX, 88-9). The name, however, by which it was most widely known during that period was Lucernalis or Lucernaria Nora (I. c., 126). This name is characteristic. It was so called because at this hour a number of candles were lighted, not only to give light, but also for symbolical purposes. The "Peregrinatio", which gives the liturgical order as practiced at Jerusalem and the date of which is probably the fourth century, calls it Lichnicon. This is the Latin transcription of the Greek word luchnikon, which corresponds to the word Lucernarium (cf. Ambrosian Liturgy and Rite). The author tells us that this Office took place at the tenth hour (four o'clock in the evening); it is really the Office des lumieres, i.e. of the lights; it was celebrated in the Church of the Holy Sepulchre; all the lamps and torches of the church were lighted, making, as the author says, "an infinite light". The Lucernal psalms were sung, after which followed the recitation of the supplication and commemorations or litanies, then the prayers, and finally the blessing and dismissal. In the "Antiphonary of Bangor", an Irish document of the sixth century, Vespers are called hora duodecima, which corresponds to six o'clock in the evening, or hora incensi, or again ad cereum benedicendum. All these names are interesting to note. The hora incensi recalls the custom of burning incense at this hour, while at the same time the candles were lighted. The term ad cereum benedicendum presents a still greater interest because it reminds us that the ceremony of the lights at Vespers was symbolic and very solemn. In Prudentius (fourth century) we find a hymn entitled "Ad incensum lucernse" which, according to some critics, would appear to have been composed for the hour of the Lucernarium (Arevalo, "Prudenti carmina", I, 124, ed. 1788; cf. also Cabrol, "Les eglises de Jerusalem, la discipline et la liturgie au IVe siecle", 47). Others see in this an allusion to the ceremony of the paschal candle. However, the Lucernarium may have had, at that time, some analogy with the ceremony of Holy Saturday, and the hymn could thus be adapted to one or the other. In the "Old Gallican Sacramentary" (Thomasi, "Opera", VI, 395) we find for Holy Saturday an oratio ad duodecima, designed to celebrate the light as well as the Resurrection, which would seem thus to favor our hypothesis. St. Basil also speaks of a hymn being sung at the moment when the torches were lighted, doubtless the famous hymn- "Lumen hilare" (cf. Cabrol, 1. c., 47-8).

Vespers, then, was the most solemn Office of the day and was composed of the psalms called Lucernales (Ps. cxl is called psalmus lucernalis by the Apostolic Constitutions, VIII, xxxv; cf. II, lix; also Cabrol, 1. c.). The "Peregrinatio" does not mention the number of psalms sung at this hour, but Cassian, who, a short time after the "Peregrinatio", describes this Office as it was celebrated by the monks of Egypt, says they recited twelve psalms as at Vigils (Matins). Then two lessons were read as at Vigils, one from the Old, and the other from the New, Testament. Each psalm was followed by a short prayer (P.L., XLIX, 83-4, 88-9). For the rest Cassian agrees with the "Peregrinatio". He says the Office was recited towards five or six o'clock and that all the lights were lighted. This evening synaxis is looked upon as a souvenir of the evening sacrifice of the Old Law. The use of incense, candles, and other lights would seem to suggest the Jewish rites which accompanied the evening sacrifice (Ex., xxix, 39; Num., xxviii, 4; Ps. cxl, 2; Dan., ix, 21; Par., xxiii, 30; cf. Haneberg, "Die relig. Alterth. der Bibel", Munich, 1869, p. 362). It may thus be seen that the Lucernarium was, together with Vigils, the most important of the Offices of the day, being composed of almost the same elements as the latter, at least in certain regions. Its existence in the fourth century is also confirmed by St. Augustine, St. Ambrose, St. Basil, St. Ephraem, and, a little later, by several councils in Gaul and Spain, and by the various monastic rules (see texts in Baumer-Biron, 1. c., 78, 80, 118-27, 188-98, 208, etc.). The "Apostolic Constitutions" (VII!, xxi, 34, 35) describe it in almost the same terms as the "Peregrinatio". Before the fourth century we find allusions to the evening prayer in the earlier Fathers, Clement I of Rome (Clemens Romanus), St. Ignatius, Clement of Alexandria, Tertullian, Origen, the Canons of St. Hippolytus, St. Cyprian (for texts see Baumer-Biron, 1. c., I, 20 sqq., 73-4, 76, 78). Pliny, in his famous letter at the beginning of the second century, speaks of liturgical reunions of the Christians in the morning and in the evening: "ccetus antelucani et vespertini" (Ep., x, 97). Vespers is, therefore, together with Vigils, the most ancient Office known in the Church.

III. Office of Vespers in the Middle Ages: Variations.—We have already remarked that the institution of the Office of Compline transformed the Lucernarium by taking from it something of its importance and symbolism, the latter at the same time losing its original sense. We have seen that St. Benedict calls it only Vespera, the name which has prevailed over that of Lucernarium (cf. Ducange, "Glossarium med. et inf. lat.", s.v. Vesperce). The Gallican Liturgy, the Mozarabic Liturgy, and, to a certain extent, the Milanese, have preserved the Lucernarium (cf. Baumer-Biron, 1. c., I, 358). The Greek Church retains the "Lumen hilare" and some other traces of the ancient Lucernarium in the Offices of Vespers and Compline (cf. Smith, "Dict. Christ. Antiq." s.v. Office, Divine). In the Rule of St. Columbanus, dated about 590, Vespers still has twelve psalms, amongst which are Pss. cxii and cxiii, the Gradual psalms, Pss. cxix sqq. (cf. Gougaud, "Les chretientes celtiques", 309; "Dict. d'arch. chret. et de liturgie", s.v. Celtique, 3015). The "Antiphonary of Bangor", a document of Irish origin, gives for Vespers Ps. cxii and also the "Gloria in excelsis". For modifications since the twelfth century, cf. Baumer-Biron, 1. c., II, 54 sqq.

IV. Latest Changes.—The recent Decree "Divino affiatu" (November 1, 1911) involves some important changes in the old Roman Office. New psalms are appointed for each day of the week. These psalms are to be recited with their antiphons, not only at the Office de tempore (Sundays and feriae) but also on feasts of a lesser rite than doubles of the second class, that is to say, on simples, semidoubles (double minors), and double majors. On feasts which are doubles of the second class and a fortiori of the first class, as well as on feasts of the Blessed Virgin, the Holy Angels, and Apostles, the psalms are proper to the feast as heretofore. On all feasts, of whatever rite, the second part of Vespers, that is, the capitulum, hymn, antiphon of the "Magnificat", is taken from the Sanctorale. On semi-doubles and those of a lesser rite the suffrages are now reduced to a single antiphon and orison which is common to all the saints heretofore commemorated, whilst the preces ("Miserere" and versicles) formerly imposed on the greater feriae are now suppressed.

V. Symbolism: the Hymns.—Notwithstanding the changes brought about in the course of time, Vespers still remains the great and important Office of the evening. As already pointed out, it recalls the sacrificium vespertinum of the Old Law. In the same manner as the night is consecrated to God by the Office of the Vigil, so also is the end of the day by Vespers. It terminates, as Matins formerly terminated, and Lauds at present terminates, by a lection, or reading, from the Gospel, or canticum evangelii, which, for Vespers, is always the "Magnificat". This is one of the characteristic traits of Vespers, one of the liturgical elements which this particular Office has retained in almost all regions and at all times. There are, however, a few exceptions, as insome liturgies the "Magnificat" is sung at Lauds (cf. Cabrol in "Dict. d'arch. et de liturgie", s.v. Cantiques evangeliques). This place of honor accorded so persistently to the canticleof Mary from such remote antiquity is but one of the many, and of the least striking, proofs of the devotion which has always been paid to the Blessed Virgin in the Church. The psalms used at Vespers have been selected, from time immemorial, from Pss. cix to cxlvii, with the exception of Ps. cxviii, which on account of its unusual length does not square with the others, and is consequently ordinarily divided up into parts and recited at the little hours. Pss. i to cviii are consecrated to Matins and Lauds, whilst the three last psalms, cxlviii to el, belong invariably to Lauds. The series of hymns consecrated to Vespers in the Roman Breviary also form a class apart and help to give us some hints as to the symbolism of this hour. The hymns are very ancient, dating probably, for the most part, from the sixth century. They have this particular characteristic—they are all devoted to the praise of one of the days of the Creation, according to the day of the week, thus: the first, "Lucis Creator optime," on Sunday, to the creation of light; the second, on Monday, to the separation of the earth and the waters; the third, on Tuesday, to the creation of the plants; the fourth, on Wednesday, to the creation of the sun and moon; the fifth, on Thursday, to the creation of the fish; the sixth, on Friday, to the creation of the beasts of the earth; Saturday is an exception, the hymn on that day being in honor of the Blessed Trinity, because of the Office of Sunday then commencing.

VI. Importance.—We can now see the great importance which the Church appears to have attached always to the Office of Vespers. It is the only one which has remained popular (excepting, of course, the Holy Sacrifice which we do not consider here as an Office) among pious Christians up to—the present day. Matins and Lauds, on account of the hour at which they are celebrated, have always been more or less inaccessible to the faithful; likewise the little hours, except, perhaps, Terce, which serves as an introduction to the Mass. Vespers, on the contrary, occupies a privileged place towards the end of the day. On Sundays it is the Office most likely to bring the faithful together in church for the second time and thus becomingly completes the Divine Service for that day. This is why, in the majority of Catholic countries, the custom of Sunday Vespers has been for so long a time, and is still, maintained. It is quite conformable to tradition, moreover, to invest this Office with a particular solemnity. The Vesper psalms, as well as the hymns and antiphons, are well calculated to edify the faithful. Lastly, the ancient custom of having a lection or reading from the Old, or from the New, Testament, or from the homilies of the Fathers, might well in certain cases and to a certain extent be readopted, or serve as the subject-matter for the sermon which is sometimes delivered at this service.

F. CABROL


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